Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Retour d'y voir - n° 3 & 4 - Mamco
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Sillo n°3 - Le Fauve
Pluie - Coll. - Lagon revue
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Il est si difficile de trouver le commencement - Helen Thorington
Sights - Henry McCausland
Photographic Fields - Joël Van Audenhaege
L'internationale modique (AND 3) - J-M. Bertoyas
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Mökki n°2
Roven n°5
Le chateau enchanté - Atelier Mclane
Link Human / Robot - Collectif dir. Emmanuelle Grangier 









