In the context of ARTZINES and my on-going
research about zines made by artists, it was very
important to meet Gee Vaucher to talk about
International Anthem, the zine that she started
making in New York in 1977, but also about the
work that she did during the Crass years. Somehow,
she seems to get bored answering over and over
the same questions about works she did for Crass
more than 30 years ago, and she seems much more
interested to talk about more recent works, like the
painting series Children Who Have Seen Too Much
Too soon (2006), which better expresses her on-going
concerns. This issue attempts to show the different
facets of an artist that people always liked
to reduce to one work or one era. As her garden
and the house she has been living in for more than
50 years are a very important part of her life, the
images that compose this issue are split 50% for
her artworsk, and 50% of pictures of her garden
taken on the day of the interview.

ENGLISH

Photographic Fields - Joël Van Audenhaege
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Titanic Orchestra - Julien Mauve
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
SKKS - Gilles Pourtier
Entretiens – Jérôme Dupeyrat
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Aurore Colbert - Marie Mons
Flynn zine # 1 - Flynn Maria Bergmann
Le chateau enchanté - Atelier Mclane
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
It was a good day - Jeremy Le Corvaisier
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Zoom Age - Julien Auregan
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Citrus maxima xparadisi - coll.
il y avait une ville - Laeticia L'Heureux
Autodrône - Divine Vizion
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Dernier royaume - Quentin Derouet
La traversée - Magali Brueder
Bambi # 4 - Collectif
Darkest Night - Joel Van Audenhaege 











