« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
ARTZINES #7 - Berlin issue
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
interférence - 2 - maycec
Manuel d'écologie urbaine - Audrey Muratet, François Chiron
Le blanc nez - Fouss Daniel
Le lacéré anonyme - Jacques Villeglé
Editer l’art – Leszek Brogowski
Dans la Lune - Fanette Mellier
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Tee A. Corinne: A forest fire between us - Charlotte Flint (ed.)
本の本の本 - antoine lefebvre editions,
People in a faraday cage - Stéphanie Gygax
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Eros Negro # 1 - Demoniak
Strates & Archipels - Pierre Merle
Wayfaring - Patrick Messina, André S. Labarthe
Triptyque - Ronan Bouroullec
Holy etc. - Fabienne Radi
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Une goutte d'homme - Alice Dourlen
Norovirus - Orgie en mers chaudes - Claude Grétillat
La France de tête #04
Ce que l'histoire fait au graphisme - Clémence Imbert 













